The Painted Bird

Part way through this film, we have the scene from which it gets it title. It is a visual metaphor that overhangs the whole film and gives us the best window into the film's message. A man grabs a bird in his hand and he paints it, marking it as different. He lets the bird … Continue reading The Painted Bird

Humanising Iran: Two Films by Abbas Kiarostami

Now is a good time to explore the diverse world of Iranian cinema. When countries are targeted by other nations, these countries coalesce into something homogenous: they become a singular entity rather than a collection of people. It's easy to view a country by way of its regime or by way of its outward facing … Continue reading Humanising Iran: Two Films by Abbas Kiarostami

Official Secrets (Review)

At the heart of Official Secrets is a very important story that people need to know. For this reason, people should see this film. Outside of this, Official Secrets is unimpressive. There's an excellent central performance by Keira Knightley but there are a number of cartoonish performances and bizarre film-making choices that relegate Official Secrets … Continue reading Official Secrets (Review)

Dutch Angle: Chas Gerretsen & Apocalypse Now (Review)

Every film about Apocalypse Now lives in the shadow of the superb Hearts of Darkness: A Filmmaker's Apocalypse. Dutch Angle is no exception and, though it introduces the viewer to what looks like a fascinating exhibition, it is singularly uninteresting. The film is about photographer Chas Gerretsen, who went from photographing the actual Vietnam war … Continue reading Dutch Angle: Chas Gerretsen & Apocalypse Now (Review)