Candyman (2021) (Review)

A good horror movie gravitates around a strong central metaphor. With the original Candyman, the premise leads to a lot of wider symbolic opportunity: an evergreen centre that can be applied in multiple ways and in different contexts. Nia DaCosta's reboot, and semi-sequel, takes full advantage of this. In fact, it gets lost in taking … Continue reading Candyman (2021) (Review)