Psycho Goreman (Review)

Horror-comedy Psycho Goreman is exactly the kind of film you expect from something called Pscyho Goreman. The title is a wonderful litmus test: if you hear it and want to watch it, it will scratch the itch you’re looking for; if you are the kind of strange being not excited by a film called Psycho … Continue reading Psycho Goreman (Review) →

NastyPALs 27: Flesh for Frankenstein

A classic for a reason? Maybe. https://soundcloud.com/user-782108692/27-flesh-for-frankenstein

Have You Seen… Two Thousand Maniacs! (1964)?

Welcome to 'Have You Seen....' a regular column exploring an interesting film that is worthy of greater attention - for good or for ill. The focus is on the underseen, the undersung or the underrated - or just those films you just need to write about. The focus is analysis more than evaluation so, expect … Continue reading Have You Seen… Two Thousand Maniacs! (1964)? →

Rabid (2019) (Review)

Remakes are controversial. However, some of them are also very, very good - especially ones that reboot or re-imagine older films. The Soskas' remake of David Cronenberg's (whose masterpiece The Fly stands out as one of the greatest remakes of all time) Rabid (1977) is a prime example of an excellent remake. The spirit of … Continue reading Rabid (2019) (Review) →

NastyPALs Episode 13: Blood Feast

In episode 13, Stephen and Adam go on a pilgrimage, of sorts, to view the first ever gore movie: Herschell Gordon Lewis' Blood Feast. Is it good? No. Is it interesting? Most certainly! Now join us as we continue to chant: E-tar, E-tar, E-tar... ISHTAR! https://soundcloud.com/user-782108692/13-blood-feast

Child’s Play (2019) (Review)

Chucky's back! Well, I'm not sure he's ever really been away but he's at least been saved from endless straight-to-video sequelisation by Hollywood's unstoppable desire to reboot every horror movie that has ever existed (where's my Society reboot, huh, bigwigs?). The recent slate of remakes has been pretty variable, with some reboots bringing life into … Continue reading Child’s Play (2019) (Review) →