Lynn + Lucy (Review)

To a great extent, Lynn + Lucy is defined by what what you do not see, focusing instead on aftermath and assumption. Some of this is shown in small ways: focusing on a central character while you hear an argument from offscreen or showing insulting graffiti on somebody’s house, as they enter it, without showing … Continue reading Lynn + Lucy (Review) →

Education (Small Axe) (Review)

The final chapter of McQueen’s Small Axe begins and ends with footage of space - specifically evoking space exploration. It is such a potent symbol: synonymous with potential, achievement, hope and the future. This, and other aspects, allow Education to speak beyond itself - in subtle ways. It is a perfectly composed period piece, one … Continue reading Education (Small Axe) (Review) →

Alex Wheatle (Small Axe) (Review)

There is a scene towards the end of Alex Wheatle in which spoken-word is placed over archive photographs. The combination of poetic words, rhythmic phrasing and captured reality is striking. It is easily the most powerful moment of this short film: showcasing how history looked while contextualising it with an authentic voice, making it hit … Continue reading Alex Wheatle (Small Axe) (Review) →

Red, White and Blue (Small Axe) (Review)

The true story of Leroy Logan is the inspiration for the third instalment of Steve McQueen’s Small Axe series. This exhibits the masterful visual storytelling you would expect, and deftly deals with powerful and pertinent themes. Though primarily about a young Black man, Leroy (John Boyega), joining the police force with the aim of combatting … Continue reading Red, White and Blue (Small Axe) (Review) →

Lovers Rock (Small Axe) (Review)

The second instalment of Steve McQueen’s Small Axe is a masterclass in visual storytelling. McQueen and his crew take us to a house party in the early 80s, showing us the setup and the narrative of night, while also interweaving a love story. There is very little dialogue here, and what does exist is natural … Continue reading Lovers Rock (Small Axe) (Review) →

Mangrove (Small Axe) (Review)

Towards the end of Mangrove, during the court case which occupies the second half of the film, a character proclaims that the history books will talk of this. It is a line that stings, and one that feels purposeful. The man speaks from 1970, but is depicted in 2020 as part of a five film … Continue reading Mangrove (Small Axe) (Review) →